A Tale of Needs and Damsels.
The end of female autonomy begins with Maslow. The question
is simple: is sex not a need? If it is so, as Maslow demonstrates in his
Hierarchy of Human Needs, then it is all so a right. And what would follow is
the institution of a rule by law that ensures that the sexual needs of every
individual be met.
According to the hierarchy, the fulfillment of needs resting
higher up on the hierarchy depends upon the efficient meeting of those needs
occurring lower on the pyramid. Sexuality rests just above shelter. It is
totally basic. It all so occurs in the Hindu Kundalini as the second chakra.
Scientific evidence would suggest that, for whatever reason,
alternative sexual practices such as masturbation do not produce the same effect
as does intercourse. This sheds the light of dubiousness upon sodomy as well.
Anecdotally I can account for the development of my own
sexual identity through the use of visual media. Playing Ratchet and Clank, a
T-rated game, produces a different effect at the age of twenty-five than it
does at the age of fifteen.
One peculiarly tender moment occurs during an encounter with
a voluptuous green-skinned alien in a violet uniform. She has no name, and her
solitary role within the game is to introduce the Hoverboard Race. During this
solitary cut-scene she speaks with an angelic voice (not unlike that of Olivia
Wilde), explains the rewards for the game, (she is not herself one of them)
expresses fleeting wonder at the celebrity of Skid McMarx (the professional
hoverboarder), and finally, with coy persuasion, crossing her arms, challenges
our heroes to fill in for him.
There is in fact one other role that she plays within the
game: the archetype of Damsel in Distress. This occurs twofold. At one point she
is seen modeling as one of Captain Qwark’s rescues, lounging in his arms as
though they were a comfortable sofa. The other point is her first appearance,
standing just where you are meant to meet her, seen through the bars that
separate her location (a sort of Mandala-shaped park atop a tower) from yours.
At the age of fifteen, I do not regard her yet as a
formidable being. She proves herself to be of no love interest to the
protagonist, so her identity and purpose remain veiled in mystery. Yet this is
not to say that she is of no interest to the player. On the contrary, she is
one of my reasons to return to the game over and over again. Based upon her
proportions alone I have found my appetite whetted. She has been worked into
the Scramble-suit of female images that are my Anima: projections of an Ideal
Woman. Every woman I meet shall be measured according to her standard, and each
woman shall be a canvas to explore those possibilities that remain beyond the proverbial
bars.
This is her at my age of fifteen. The character does not
age. But I do.
In innocence she and I are all ready equals. We are given
so. She works for the man who I aspire to meet, whom ultimately I must defeat
and to replace to establish my identity as Hero.
Yet in adulthood her role is a perpetual attempt to fool me,
to one-up me, and above all to assert her own vainglorious sense of superiority
to me whilst insisting upon totally egalitarian auspices. And all of this is
done with apathy. For this girl is, quite plainly, a model. She is a server at
a bar, a bartender, an entertainer, or some other corporate scheme aimed at the
use of my projections for profit. All mystery surrounding her is torn asunder
in disillusion, and I had not even asked to know. No longer do I ask: WHO is
she? (as though I might have a chance at learning.) WHY is she here? (as though
that were not obvious.) HOW is she impressed by a celebrity? (as though it were
not clear the value of accomplishment.) WHY does she not speak to me whilst
rewarding my accomplishments? (as though it were not even more painfully clear
that accomplishment alone is not enough.)
[Bitter experience answers questions that childlike wonder
asks with undue optimism and the prodding of lying elders. I know this woman
now. And she has nothing to offer me. She is not a Damsel to be loved and saved
and thus to be rewarded, with due love in turn.]
No longer is the Nameless Maiden an archetype. She has
become a PERSON: a MASK. There is no need to ask her who she is; the Corporate State
will answer FOR her long before the question even might occur to me. She has no
autonomy; she is a total slave. And yet she believes herself to be free!
I have said that the end of female autonomy begins with
Maslow. But like so many intellectuals I spoke too soon.
Taoism insists that inferior virtue knows that it is virtue.
Likewise: inferior freedom believes its self to be freedom.
TRUE freedom was all ways in compassion and availability,
not coldness and distance.
Yet the former is not the paradigm at work here. Rather the
latter.
The end of Human Autonomy begins with the beginning of
Female Autonomy. For it is divisive. A woman might ask: am I SUPPOSED to ACCOMMODATE
your NEEDS? And the man of honor replies: Naturally. What other purpose could
you serve?
Of course, I would answer on my own behalf as much as hers, meaning
the Human Condition and not exclusively the Feminine Condition. Yet is it
impossible that the arrogance of autonomy should grow so fierce and fanatical
that all attempts to wake up the female from her ego trip should be met with
the fallacy of Either-Or and the mentality of Us-and-Them? In short, is it
wrong to suppose a feminist might say: you men want only to subordinate women
to YOUR will? Is it impossible that some one could be so fixated on avoiding
one’s accountability to one’s own peers that she would dismiss any attempt to
hold her to these standards as mere misogyny?
No. It is not impossible. I know this too from bitter
experience.
“Acting like a woman” need not be confining. It should be
liberating. Vile forces everywhere want to deny you your freedom to be loving.
Yet fear has a transparency to it. All that a man can ask is for a chance: that
plainly women should make themselves sociable again towards men and cease to
hold them accountable for female aggression. Only then can male aggression find
its proper consummation in sexual fulfillment.
Dm.A.A.