Teleography:
I’ve recently had to
close frequently at the restaurant that I work at. This does not bother me. My
parents are concerned that I am spending so much money on the taxi rides home
from Oceanside to Rancho Bernardo. I am even met with questions from the taxi
drivers themselves about why I would elect to work so far away from home. I
struggle to convey to them the overwhelming sense that I SHOULD be there, an
ironic fact considering that by the same exact token my interactions with these
taxi drivers are fated. It has even gotten to the point that the ride itself is
worth the money, destination notwithstanding. My most recent driver was an
accomplished programmer who had actually consulted the founders of Google on
their code. Not even twenty-four hours earlier, I was riding home with a
younger man who had recorded rap music with one of Kanye West’s producers in
Detroit.
Why have I been so
blessed? Does Lyft keep a record of my interests (since I am double-majoring in
Computer Science and Music, though this remains undeclared and unofficial,
except in passing conversation)? Does it only hire people with exemplary
success in these industries?
I recently gave a
coworker, who has shown interest in learning English, a copy of my favourite
novella, Raise High the Roof Beam,
Carpenters, by J.D. Salinger. Within, the central character, the narrator’s
elder brother, says that, if he is anything “by a clinical name”, he is a
“paranoiac in reverse” who suspects people of “plotting to make [him] happy.”
This is at long last
my relationship to the Universe. It is by no coincidence that every late-night
driver I’ve had of late has mirrored me, not only in ambition, but in
personality. Frankly, their status in a competitive field is never what
impresses me. I am much more moved by what they can teach me about myself. When
a man recounts the birth of his twins, which was prefigured, he is not
recounting an instance of confirmation bias, because a self-fulfilling prophecy
cannot change the facts of biology. Nor is this man helping me to “achieve the
status” of a psychic in the “competitive field” of Divination. He is simply
sharing his own miracles, and for some reason that was prefigured as well I am
privy to the knowledge. Perhaps it is because the twins are Aquarians, one male
and the other female, one analytical and the other affective, that this driver
came into my life, since I’ve been studying the archetype of late and want to
understand it better. Perhaps this is why I picked up the book The Outliers by Malcolm Gladwell:
because an Aquarian female who insists that all things happen for a reason
recommended it.
The claim that
everything happens for a reason is paradoxical in context of that text,
primarily because the mystical statement that everything serves a purpose
implies the principle of teleology, that ancient notion that all events move
towards a common goal. This in turn suggests an inversion of Aristotelian
Causality and extraverted common sense in general, for whereas Aristotle
suggested that the past is what creates the future, teleology implies in its
purest form that it is the FUTURE that creates the Present and the Past. Events
are not predetermined by previous causes, but rather they come out of the
Creative Void and merge with the Present Moment in a manner directly
proportional to our choices between Good and Evil. The theme occurs across
centuries in such diverse works as those by Kierkegaard and by Rupert
Sheldrake. Yet the great miracle of the Future is lost on a tragic cultural
hang-up: the past.
Malcolm Gladwell
tries to use his book in order not only to narrow the definition of an
exceptional person to someone who excels externally in a competitive field, but
he tries to excel in his own field by settling once and for all the modern
quandary of nature versus nurture. By Gladwell’s diagnosis, no one is born more
naturally gifted than anyone else, and neither does a man or woman become that
way as the result of a series of fortuitous choices. Rather, all persons in
Gladwell’s cosmology are the products of environment, and only by sweeping
collective social change can people become empowered. Yet intrinsic to this
argument is an old set of biases:
1.
That all success is external.
2.
That all causes, whether natural or
social, rest in the past.
3.
That any trend that can be explained
“rationally” must not be considered “mystically”.
4.
That all external success can be
quantified.
5.
That any quantification of success
will produce a rational explanation.
6.
That these facts are ubiquitous
throughout human society.
7.
That an “outlier” is not someone who
excels in uniqueness but who excels uniquely.
What this last part
means is that by an extraverted definition an “outlier” is anyone who is
PECULIARLY GOOD AT something in an UNPECULIAR manner, such as an excellent
sportsman or technician. Yet to my disappointment the text does not seem yet to
address the outlier as an Eccentric: that is, someone who is good at something
BECAUSE he or she approaches it in a PECULIAR manner.
Aldous Huxley
ascribed social progress towards the sudden appearance of extraordinary people.
In an interview he argues that nothing in Shakespeare’s environment suggested
what the Bard would be. By referring to introverted writers rather than
extraverted athletes, Huxley strikes gold. Take Franz Kafka, for instance.
Kafka was all most never published, there was little evidence of an extensive
literary education, and even were it so that Kafka was a great scholar there
was little available at the time that could account for Kafka’s brilliance. It
is true that Kafka’s work can be read as a rebellion against Industrialization.
However, what sets Kafka apart from Marx or Sinclair is that Kafka was, by a clinical
definition, a Visionary. Huxley writes about Kafka in Heaven and Hell, pointing out that the writer’s descriptive style
could be considered something akin to schizophrenia. One does not have the
privilege of a word named after one’s self (“Kafkaesque”) by simply expressing
the cultural zeitgeist; one becomes a legend by responding TO the Spirit of the
Time in so PECULIAR a fashion that a new word MUST BE INVENTED, as though by
fate, in order to describe the message. All true legacies follow this pattern;
one is not raised to be a genius, but genius happens. James Joyce might have
been educated in classic Irish literature, but no one pushed him to write Finnegan’s Wake; he had to push himself.
And what compelled him to do so was nothing short of his own, PECULIAR
brilliance.
In her infamous TED
talk (which I assure you it’s been years since I have watched it) Elizabeth
Gilbert, author of a rather boring memoir called Eat, Pray, Love, refers to a “genius” as something that one HAS
rather than something that one IS, an ironical echo of Erich Fromm’s classic
psychotherapeutic recipe for happiness (that is: defining one’s self by what
one DOES, which in a Wattsian sense would be what one is, rather than by what
one “has”).
Gilbert’s own genius
lies in the traditionalism of her definition. Descartes, when he was losing his
mind and discovering the Post-Modern Condition, posited that all his feelings
and thoughts of certainty might be the products of an Evil Genius that lived within
his own mind. Etymologically, as well as simply logically, a “genius” is no
different from a “genie”. Yet for some reason or another, even in an age that
praises and aspires towards “Genius” as an Ideal (Perhaps: the Aquarian Age?)
there is markedly little discussion pertaining to genies. One anonymous post on
an online forum recounts the story, from the father’s perspective, of an
everyman whose son asked him how genies “work”. The father’s kneejerk
post-modern reaction is a positivistic attempt to deconstruct an ancient
superstition, and the poor man tells his son that genies are simply an archaic
attempt to explain things that science could not explain yet to an
underdeveloped people. Yet even encoded INTO that claim is an other
presupposition, which is that of a teleological PROGRESSION that INEVITABLY, as
though it had originated in its destination in the Future (Now the Present),
would bring humankind to a superior posture now than it had been in Aladdin’s
time.
To the modern man’s
mind, the concept of a genie is simply a ticklish brainteaser, curious not only
in that a fictional genie might exist but that its existence might somehow, by
some unknown process, have been considered factual to an earlier Humanity.
Implicit to this is the hidden temptation to Believe, some archaic reservation
about the Noble Savage of the Past: the possibility that those pot-smoking
Arabs who surely wrote the Thousand
Nights in fact were onto something that the modern Eurocentric thinker has
forgotten how to see. Formally, Western Science says that genies don’t exist.
Yet genies DO exist. Examined
closely, the son’s question is not unlike “where do babies come from?” or “how
do you make crayons?” The Oedipal Child, like the first-time reader of the
Bible, is concerned with maternity and conception; he wants to know who MAKES
the genies. The ancient Christian might say: God, the Uncaused Cause, creates
all beings, and if He does not do so directly then He acts by delegation to his
Angels, one of whom is responsible for all Evil, Deviant Beings, for he was
himself a fallen angel. Martin Heidegger, under his veneer of rationality,
provides a similar explanation: that all beings come from Being, and they’re
thrown into the Nothingness, but Being (as opposed to Nothingness) has no known
cause.
What is a genie,
though? A genie is that being that creates ITSELF. This is impossible, of
course, from the perspective that all matter is energy in disguise (the modern
claim that form and substance are one and the same and that the atom can be
split) and that energy can neither be created nor destroyed. By a stringent
physical definition, rooted in the traditions of both Newton and Hawking (both
of whom were incidentally Capricorns in many senses), not only cannot genies
exist; Our Own UNIVERSE cannot exist. Perhaps that is why Hawking has suspected
that all of it might be a clever computer simulation (presuming that computers
exist, and that they run on Cartesian Evil Geniuses). Yet the contemporary
atheist himself continues to believe in genies, because in the absence of an
Uncaused Cause (God) one must conclude (unless one leaps into Camusian
Absurdity) that the Big Bang CREATED ITSELF.
No one wants to state
the obvious, except for those TRUE outliers on the fringes. Terence McKenna, despite
his love for science, wonders where the magic went. He satirizes modernity by
saying that Positivism claims to explain everything AFTER A CERTAIN POINT; give
the atheists One Free Miracle, which is Existence Itself, and they will gladly
explain the rest.
The answer is obvious
to Zen man Alan Watts: God created the Universe, and we are all God in
Disguise, pretending we are not. We do not simply HAVE a genie; we ARE genies,
and Space-Time is our lamp. If we so chose, we could ESCAPE the trap of time-binding,
shedding our karma and becoming receptive to whatever the Next Order (from the
Future, technically) might be. The question of an Uncaused Cause is silly in a
Universe WITHOUT CAUSE AND EFFECT, where all existence is simply a playful
expression of that childlike will.
Doctor Gladwell has
lost that childlike spark. He too does not believe in genies. In the Outliers, no man or woman is
“self-made”; all are shaped BY THEIR ENVIRONMENTS in a PASSIVE FASHION.
Personal change is impossible, so only the avenue of Systems Theory remains: to
effect change in persons by changing groups of people. Gladwell is essentially
a classic communist; all personal growth happens not through the sovereign will
but through the State. Social progress is not the result of angels falling out
of heaven and writing the Divine Comedy; it is only ever the product of a
series of causes and effects that recede past our cognitive limits INTO THE
PAST.
Modern Man refuses to
believe that the Future Herself has a plan for us. When Sheldrake lectures the
world’s populace on the epistemological pitfalls in modern science, refusing to
accept Newton’s Draconian laws without question, reversing Aristotelian
causality as though it were another ancient Greek anecdote, the patriarchy he
challenges bans his TED talk from mainstream circulation. A true outlier, right
alongside Graham Hancock, Sheldrake is ridiculed for even SUGGESTING that the
Universe Itself might in fact be an intelligent genius whose ideas come out of
Nowhere.
The religious elite
have a different take on it, and their hand gets into everything nowadays. It
is not uncommon for young people, especially in lower-income communities, to
say that things “happen for a reason”, that they are “old Souls” who have lived
many lifetimes before this, that they “agreed to everything” that will happen
to them before they were even conceived in flesh, and that the past does not
drive the present any more so than the wake directs the ship.
Personally, I have
taken kindly to not only Western astrology, another Greek intimation, but
likewise to Native American spirituality. Being on Sacred Ground, even if one
is not conscious of its identity, inspires one to chant like the shamans of
old. Even far from the Reservations one might have, Power Animals might visit
one’s self at peculiar moments. When I had to take my phone into the Apple
Store, the man who fixed it shared a birthdate with me, down exactly to the
year of birth. Upon returning home, I saw an owl swoop right in front of my
car. Earlier that same day, I’d set a photo of an owl as my desktop background
on the home computer. Owls are my Spirit Animal (really: my “Power Animal”,
since “anima” means “Spirit” any way in Greek) and it’s no surprise that after
meeting that established programmer who drove me home from Oceanside I had to
walk my dog and heard the Wise Owl hooting in the street-lit night. When I hear
my Power Animal, I not only hear it but I smell it, see it in my Mind’s Eye,
and I feel it right beside me and within me. How is this possible? Owls are my inner
genius.
My parents were not
uneducated people. My small family managed to work its way up to the American
suburbs, out of the poverty of the crumbling Soviet Union, due mainly to their
devotion to the Hard Sciences.
But my genius was not
their genius. In high school I nearly flunked out, and like my sister I did not
see straight A’s again until I’d found a calling in college. This I only
managed once I balanced my Aristotelian love for logic puzzles, in programming,
with my Platonic passion for Music. No one else in my family ever excelled in
either discipline. My sister, likewise, is original in that despite my mother’s
gifts for illustration my sister remains the only accomplished visual artist in
our entire family. Our privileges and circumstances were not the determining
factors in our talents. Those all came from the Abyss.
Gabriel Marcel says
that the problem with modernity is that it reduces all Mysteries to problems.
People are so self-identified (yes: one can BE self-identified without
self-identifying voluntarily) with their social and biological functions that
they’ve forgotten the mysteries of their own Souls. Carl Jung saw this as well,
hence he spent an entire life putting the Psyche back in Psychotherapy. Unfortunately,
Marcel falls by the wayside in the European philosophical tradition, whereas
Jung is treated like he’s Freud’s neurotic cousin (ironically, since Jung is
not known to have been sexually deprived). The entire QUESTION of Nature versus
Nurture has woven into it the conflict between biological functions and social
functions, Id and Superego, Proletariat and Bourgeois, et cetera. The common
sense of the Twentieth Century continues to imprison our True Geniuses in the
bottle of Reduction.
Yet as Bukowski put
it: Be on the watch. There are ways out. The Universe itself might have been made
after a night of heavy drinking. If each of us HAS a hidden talent, each of us
has the OPPORTUNITY to cultivate it. Where attention goes, energy flows. It
takes patience, since the Spirit is slower than physical time in the End Times.
Yet if my own personal miracles are testament to anything, it’s that the
Universe provides for those who seek its secrets. Study music and you’ll meet
musicians where you least expect to; study programming and coders will follow,
as though programmed to do so in this Great Computer Simulation of a Universe.
All manifestation is just Shiva’s dance: illusory, for we are all God in Disguise.
Malcom Gladwell is a trickster, because he wants us to believe that we are the “products
of” a set of circumstances. Yet his sociology is nothing more than just an
other magic lamp. All privileges are won by SOMEONE’S efforts, and it is only
by undergoing an Individual Quest that those privileges can be vindicated and turned
into a source of Privilege for Others. Beginning with Others in a progressive,
social sense will not effect true change and success, unless one’s path IS THAT
OF THE REFORMER and not one of the Eight Other Personality Types. Our Fate is
not given by the past; it is waiting for us in the Future, teased every day,
for we agreed to it. This is why people with epilepsy come unstuck in time, why
psychics are able to predict the birth of twins, and why our time bears a
striking resemblance to the predictions of both Hindus and Christians. It’s not
that people are dumb and made some lucky guesses and then filled the details in
imaginatively. People are not dumb. We are geniuses. Co-creators of Reality.
One simply has to own this in one’s self personally, deep down, and in an
introverted manner, unafraid to frown upon those who refuse to hear the cry of
their own Hearts and Power Animals.
[({Dm.A.A.)}]