Sunday, April 12, 2020

Me vs. KOREA (South.)


Bong Joon Hu illustrates a world wherein moral hierarchy is directly paralleled and, in fact, determined by, socioeconomic hierarchy, hence lending each individual any number of excuses in a world devoid of either heroes or villains. The world I’ve been developing, modeled after the World as I see it, is predicated, conversely, and to the most decisive extent, upon the TENSION BETWEEN moral, social, and economic hierarchies. Being poor does not make you evil, nor does it render you unpopular by necessity, so it does not lend you an excuse, and neither does being rich warrant contempt and envy, unless of course YOU CHOOSE to abuse your station. Upward mobility might be according to the path of material and even spiritual acquisition, or it can be moral progress, ascesis, self-sacrifice, and personal purification. Hence mine is an existentialist world of decisions and particulars, details which correspond to underlying archetypes which are only revealed when you have earned that revelation. Conversely, Bong’s world is a postmodern world of excuses, emotions, and instinctive drives, unregulated by Reason. Mine is not the step back, however, but the reaffirmation of an everlasting autonomy and responsibility which many great sages knew would be obscured in our age, and I mean to depict it within the medium and, to some extent, the sensibility of the present. It is a synthesis of parts that had been scattered, like Osiris, for us to find and to put back together. Such is the Truth, as well as Goodness, Beauty, and all other Transcendent Values.
[({Dm.A.A.)}]

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